This iterative project speaks to the impact of organizational systems and bureaucracy on our most personal understandings of the world, but also to the ways intimate feeling and desire thread through rationalised structures. It was first developed as part of Cruising for Art, a project curated by Brian Lobel. The most recent iteration was commissioned by the Wellcome Collection for the The Institute of Sexology exhibition.
Catalogues have been created for the National Art Library at the Victoria & Albert Museum, the Mediathèque at the British Film Institute, White Nights in Brussels, and the Shunt Vaults, among other places.
